Thursday, September 18, 2008

"Motherf*** Gentrification" - (Spike Lee)


Wow. You can't leave New York for two minutes, let alone two months, like I did, without your neighborhood suddenly becoming unrecognizable.

Since arriving back in Prospect Heights, Brooklyn, following a two-month stint away in Washington, here's what I've found so far:

1. A brand new bodega three doors up from my place on Vanderbilt Avenue. And this has never been a bodega kind of neighborhood. There's that one right next door to me where people shout exceptionally loud Spanish and sometimes English swear words, but that was it for miles. It's not like Manhattan, where there are bodegas on top of each other, inside each other, ever corner. I've always wondered how they all stay in business. Now we'll see what happens to "La Reyna" bodega now that "Prospect Heights" bodega has cut its ribbon. Another sign of Brooklyn mimicking Manhattan, along with its expensive speakeasy bars and American Apparel stores - trying to make it so that its residents never ever have to or want to leave it. Brooklyn has always been jealous of its sexier, leaner, wang-shaped brother across the river.

2. Holy crap, a new fleet of "Q" trains! That's my main subway line to and from the city. Once of the traditional dank subway car variety, with orange seats, doody-black floors, and half-dead lightbulbs, now the Q's are silver and shiny, with a neon-lit "Q" at the helm and computerized maps, fluorescent lighting, and periwinkle blue benches going long-ways. They look cleaner. That slightest bit more Japanese. I don't know if they hold more people or run any better than the old ones. It was a shock to see it coming at me, docking into 7th Avenue Station. And even though it might not improve my travel time across the Manhattan Bridge, it was exciting to witness. Finally my train can compete with the uptown "6" train and the downtown "N," which have had the new model for years. AND, according to many online commentators, the "Q" is becoming the new "L." Oh my god, I never thought I would hear those words, even in jest. I would love to see the faces of all of my detracting Williamsburg-residing friends trembling in horror at the notion.

3. A new freaking crosswalk at Grand Army Plaza! Just to the left of the giant Soldiers' and Sailors' Arch facing the park. (Yes, I just learned the name for this arch, so I'm using it. Like everyone else, I used to know it only as "that big arch thing with Lincoln on it.") That goddamn circle of traffic around the park used to take approximately 4 hours and 16 seconds for a pedestrian to cross. Now it takes only 4 hours flat. And there is a big new outcrop of shrubbery gracing the triangular verge that stops you in the middle of Eastern Parkway, not to mention new bike lanes, painted aqua green. I mean, it's like, where am I? Seriously, the whole area at the mouth of Prospect Park has been altered to make me forget how long I am always waiting for the sixteen different traffic lights to change in my favor.

Tuesday, September 9, 2008

I'm a bit picky.


Which I've always known, but didn't realize quite how embedded it is until today at lunch. At The Diner in the Adam's Morgan area of Washington DC, where I've been living temporarily for the last seven weeks (but which feels like way longer), I stopped in to have a Spanish omelet.

The White Album was playing. Whenever pressed to pick my favorite Beatles album, this is the one I almost always come up with. I was pleased to hear the strange Edwardian jump and bump of "Martha My Dear" as I sat down to order.

However, my meal turned oddly sour once "Martha" finished off and "Goodnight" came on. That's the very last track on the album. And instead of the jumbled end-notes of "Bungalow Bill" leading into the piano intro for "While My Guitar Gently Weeps," it somehow, inexplicably, went straight into "Birthday," a universe away in the original playing order.

Someone had put the record on "shuffle." I really hate to admit this, but everything about my lunch from that moment onwards felt completely off. I became a bit uncomfortable in my seat, as if there was a leg missing and I had to prop myself at an awkward angle. The salsa in my omelet immediately lost its kick. The potatoes went dry and hard. I got the check as soon as I could.

This probably wouldn't have happened if I hadn't been on my own - I'd like to think I would have been able to block out this otherwise forgivable error (forgivable only once, of course) had I been with someone. However, I don't know. We'll see next time I bring a friend to brunch and the waiter decides to skip tracks 4 through 6 on Village Green Preservation Society.

Friday, September 5, 2008

Show's Over All Too Soon.



They're ringing down the curtain on "Maria/Stuart," not because it's not awesome, but because, I guess, it's not in the budget to extend for an extra week.

FINAL PERFORMANCE: Sunday September 14th.

tickets:

Maria/Stuart Tickets and Info

I will miss you, Woolly Mammoth Theater. I will miss you even more, Stuart, though for reasons I won't go into now, I will be glad to take a break from living inside your all too familiar skin. Doesn't mean I don't love you.

Thank you, Jason Grote, for writing this role, and Pam Mackinnon for putting me in it!

They Sprung From the Car Like Kids...

(from my very long short-story work in progress untitled)

... Like a platoon from a tunnel, scrambling to find North. The interior lights were still on, spilling onto the gravel, but he hardly knew where he was, even though he’d been there that morning and the afternoon before. There were no trees, there were no hills or banks, there wasn’t even a lake. He could smell it – the algae and seaweed, or whatever it was grew in a lake, but he could see only the night, a night darker than he knew of, darker than any of his dreams, even the most frightening of which had a few street lamps in them. The only sure thing he could make out was Selene. Right outside the passenger door of the Volkswagen, her arms were casting about her, her white skin getting whiter. Before he could say anything—which was all he was good at at times like these—before he could open his mouth to say a word, the dome light and the moon showed him her long white thighs, with no lines going across them. Her long arms reached behind her, grabbed at her back, and came forward again, flinging lace onto the car seat. She was all white. Without a farewell, she was gone. On a mad dash for the sea. She was out in the water, alone, even before Will could take his socks off. He had just seen her undress, frantically, as if in the middle of a mad costume change – and she had just run the fifty feet to the lake with everything hanging out there. He’d caught only a hint of her nakedness before she was gone. He saw what had to be her breasts, but they were taken away from him so quickly that he was allowed no sense of them – their shape, their bounce. He’d gotten nothing, and had been in a state of agitation since the trip began in hopes that he might know them, even from a distance. Before this moment, he’d never seen someone so unconcerned with awkwardness, or anticipation, or of any of the things good or bad that humans bring each other. She didn’t look at anyone else or at herself. Her goal was the water, to be in it unclothed, and to get there her every stitch had to come off in a flash.
She had gotten naked like a shot and had run off into the night. It was not something that happened in front of him everyday. The rest of them were still puttering around the car, turning their heads back and forth to see who else had started. No one had. They had been left behind, and thus the game had begun. Will was going to have to take his clothes off very soon, and pitch black as it was, it still didn’t feel dark enough.
He began with his jeans, with those stupid trendy holes the manufacturer had put in. He slid them off and put them on the backseat. Now he was in his shirt and briefs, the snug American Apparel boxer-briefs, the ones he liked. No one would see them. They’d be skipping that part. He felt naked, in anticipation of his nakedness, and was afraid of himself. He felt the soft flapping of his upper thighs and became terrified of what lay between and behind them. They were sure to let him down, these waggling parts of his. They would bounce around like a lot of unsure choices. He longed for the swagger he’d had while knocking around the dorms or in the practice rooms. That biting humor of his that always won the day, it wasn’t available to him now, nor were any of the parts of his body he liked. The push-up arms, which he wrapped around his torso to accentuate their thickness and to play down his pointy shoulders. Once he got naked he would have only a penis; he’d be one long penis, and perhaps an ass – his most humorless parts, the most crass and silly and not bright. He would get naked and would want his brain back. He already felt brainless. It didn’t help matters that he was getting naked with girls he had, in other circumstances, wanted to get naked with, not in these.
He did his best not to look over at Adrianna on the other side of the car. He didn’t want to. That rare treat of a body, now that the game was really on, it didn’t seem right to peep. At least not until he was out there too, and then it would still have to be done very carefully, secretly, because anything more would be, well, far from sexy.
Out there. In moments, he would be out there. Unless he decided not to. Who said he had to go through with this? Just because he was there? He began to lift his shirt. His ankles turned over a large stone. He steadied himself against the roof of the car. He heard Selene, from the lake, cooing like a Siren. “Oh my God it is so good, you guys!” There was no mistaking her ecstasy. She was far away now, body and soul, and spoke the language of the blissful, a tongue that didn’t exist where the rest of them were. They were speaking the language of stalling. “Did she go in already? Oh my God, she amazing. She’s in there. She just went right for it! Oh my gosh, this is crazy. She is so awesome.”
Time had started. The longer Will listened to or added to the bystanders’ chatter, the nervous prattling and praising, the longer he might stay out of the water with his clothes on. Shirt is easy, he thought, you’ve done that millions of times, just do it now. He did it. It was as humid and still as the city up here, but an imaginary breeze bit at his back. He turned a few times, as if to make sure which way the lake was, even though it was unmistakable which direction Selene’s honey cooing was coming from. She was the lake mother. She was all things nature and sex. She cried to the hills, to the lake and to herself. If none of them ran out to join her, he thought, she might be disappointed, but would still stay submerged for hours, oohing and ahhing until morning.
Shirt was off now. He was in his underwear. He started moving. He had to, or else he would be standing near a car in his underwear, and that was a stupid thing to be caught doing. It wasn’t a thing to do at all. There had been a point to coming to Lake Mansfield at midnight with his castmates. It was to do something, preferably something he hadn’t done before. He’d been in bad plays before, and he’d stood by cars many times.
The moon reflected back on the lake a million times, a spotlight on the water. Selene’s hair was the centerpiece, her curls fanning out endlessly like a mermaid’s. He couldn’t see her body or her face, maybe just the crowns of her teeth and the line of her shoulders. She dipped down, twirling underwater, coming up again. Why she did this was beyond him. What she could hope to find, or what sensations she might like to feel way down in the water, these were things no one ever taught him.
He was first in line now. Adrianna and Mangesh were still much closer to the car. He had ventured out. He stood a few feet back from the water’s edge, his hips cocked, elbows up, hands gripping behind him – still searching for some way to look cool, even though little to nothing of him could be seen. His whole exterior life was occupied with looking acceptable – spurred on by a persistent feeling that he wasn’t. He was stalling like a tourist, some fearful gawker gearing up for safari in the jungle, packing and repacking his kit.
Adrianna was second in line, working her crutches over the pebbles. He didn’t know how close she was, because he didn’t dare look behind. What if she was buck naked already, hobbling on her crutch? Not a great way to enhance the mystery of the night. But really, and this was what he couldn’t get over, you couldn’t see anything. At least he couldn’t. He could only see the faintest outlines. The moon was too pointed, like a Klieg on the water, and the stars were so far away.
His fear of forever standing there like brought the whole thing rushing to an end. He let out a “Hey!” and started toward the bank, jogging, reckoning courage through speed. He paused a foot before the shore and in a grand gesture whipped off his boxer briefs and flung them into the air behind him. It was a gesture, a wave at the camera, but still it was a step. He soldiered on, pushing through, until he felt the water on his ankles, and his feet touched the tarp at the bottom, that hard sheet the township had laid there for purposes none of them knew. It stretched only over certain parts, and he pushed against it, slipping and sliding, flipping and flopping, on the brink of trauma, but still pushing on. There was no choice. He had two, maybe three seconds to find deeper water, to get into a position where he might look almost normal—though no one was looking—where it might as well be an ordinary day for a guy at the beach, at night. He shoved his gangly body in, in quickly until he was all the way in, until his naked dick was in the water with the rest of him, and Selene, his muse, was there just a few inches away, her naked everything warming the water like a bath. His teeth chattered. Now what do they do? He babbled to her, some wispy words about it being his first time, and she babbled back, about it being her trillionth. He ducked and wet his hair, which did nothing to warm him up as he had hoped. And he moved closer to the center, toward deeper water, where he could stand with only his shoulders showing.
There was little place to look but up. Once he turned his face skyward the situation changed. He changed. He was no longer a naked city Jew trying to pass himself off as a nature child. Now he was a naked man under a hundred thousand stars, under a sky that really did go on forever, seriously look at that, it went on and on. He’d had no idea. He was a child seeing the universe for the first time. You could get lost up there, like Major Tom, and end up at the end of nowhere, maybe in some other time period, like in ancient Greece where they first gave these stars their names. The heavy water nudged him on his tiny ankles, and he changed stance again and again. He turned around and around, looking to see the furthest stars, whichever they were. Selene had named them the night before while they stood elbow to elbow in the campus parking lot dodging straight looks. He didn’t need their names now, and he didn’t need to see anybody on Earth. Yes, he was having a Siddhartha moment – the stars were all him. And the sensations of his body grew fainter, the shrinking of his parts continued on in silence.
A howl came from the shore.
“Oh! Ow! Will, you threw your underwear in my face!”
His eyes came down. Adrianna was still on the shore in her bra. “What? Are you serious? No.”
“Yes!”
“Oh God, Jesus. I had no idea you were there, I’m sorry!”
Selene laughed as she hadn’t laughed yet.
“You wear white?” Adrianna said in horror.
“What?” He thought for a moment. “No no no, those are not white! They’re gray! Those are gray!”

Hello from my Dressing Room



Where, as you can see, the stagehands have been keeping up fairly well with my required daily refreshments, which were specified as always in my contract. (I follow the same pre-show diet utilized by Sir Laurence during his Oedipus at the Old Vic. Cheeseballs, diet soda, and Animal Crackers in a Teddy Grahams container.) Although, as this picture also shows, someone has let the Bubba Cola supply run dangerously low.

Provincial sloppiness. I shall have a word in the morning.

No, you're right, you've guessed it. This is my dressing room, but I am no Sir Larry or Sir Chris Farley. These are the edible props used every day during the performance of "Maria/Stuart." See, because the cast is made up of me and five ladies, I get a dressing room all to myself. There's loads of room to store largely recalled food products.



There's also loads of room to look at myself in four mirrors at once, and wonder which receding image of me is the real me, while fighting back a storm of tears.

There's also room to dance around in my underwear to The Smiths.

Thursday, September 4, 2008

The Truppets



After visiting this temporary Smithsonian exhibit on the life and work of Jim Henson, I rifled through the gift shop for a poster. I knew what I wanted. I didn't know if I'd find it, because I had no reason to believe it existed. I wanted to buy a poster containing some behind-the-scenes photo of Henson at work, say with one hand up a Muppet, another clutching a stick - standing six feet below a Viking ship or a news desk, with that weirdo headband around his head, the kind that made him and all of his fellow Muppeteers look like a very particular technologically savvy brand of post-60's superbearded hippies but which was only there to hold the microphone near his mouth, doing all this while sporting a fitted plaid or paisley button-down that men in the 70's ALWAYS wore tucked in, and which his totally lean, long frame seemed to carry off so well.

I wanted this still shot, or something like it, for my wall. I didn't see it in the gift shop. Just drawings of Kermit or Miss Piggy. (Drawings... p'shaw.) I know it must be around somewhere - photos like these were all over the exhibit - and I wanted it in some kind of poster form that I could hang up on my wall back in Brooklyn, where I am due to return in 9 days. Not because I'm any kind of Henson freak (although after seeing this exhibit I might need to become one), but because - god-damn it - Henson created this UNIVERSE that did not exist anywhere on this planet before his arrival. And I guess I still have this idea that that's what I want to do too. Somehow.

And it was a universe of 3-D objects! Not just a universe made of stories, or images, or music - but a world in which all of these things were combined to serve a galaxy of walking talking three-dimensional life forms that you had to make move around with your bare paws. You actually had to work to make them. And perhaps what gets me the most about Jim Henson - more than his imagination that never stopped to rest on its laurels and seemingly spent every waking moment inventing new shows, movies and characters, more than the fact that he was already on TV doing MUPPET STUFF by the time he was 18, more than the fact that the man insisted no one wear black at his funeral - what gets me is that the guy was REALLY funny. Like, his sketches, even his 8-second commercials for Wilkins Brand coffee in the 50's - they still make me laugh. Any scene with Kermit the Frog - I maintain - is hilarious, from both an acting and writing viewpoint. WAY funnier than Radar O'Reilly on M*A*S*H, who always seemed to me like a sad Kermit knock-off.

Jim Henson - comic genius. That's why he lasted.

I want to create the Truppets, or whatever they'll be.

Please God, inspire me to create The Truppets.

And then tell me what they are, and can I get someone else to make them for me.